die Sch: dir Sch zwei W – Wt Cap: H Umarmung[en] W–Wt i[h]m W–Wt verwünschten Sch korr. Sch Komma erg. W Umgang, H korr. W weiblichen Sch: weibliche Sch: weisliche (Lesefehler) Wle vor Winke gestr. Wort H Jahreszeit (aber die Schlüssel im Accusativ z.B. Briefe Mc) ihren Zustand Sch korr. Sch denken! Sch korr. Sch Kronen L gewöhnlich, H korr. W versproch[e]ne[n] Wt Frauens H (vgl.) „ebenso etwa Briefe“ Urfaust AV dagegen Frauen z.B. Mc kennenzulernen Wt Komma erg. W mir’s vorausgesagt Wle (mir vorausgesagt L) so bald W – Wt vorausgesagt Wle einer Gottheit Lm hin-überführen Wle Wt in dem H korr. W vor für gestr. Wort H und ach! und nun H (vgl. doch er! doch ach Divan: V ach! und nun W: und ach! und Nun Vle³³
Tabea Nixdorff is an artist, typographer and researcher, currently living in the Netherlands. Her artistic practice involves (self)publishing, sound and language based performances, collaborative learning and social gatherings. Often working with/in archives, or libraries, Tabea’s works delve into micro-histories while touching upon broader themes such as omissions and distortions in historical narratives, embodied knowledges, queer belonging and a feminist poetics of error.
Tabea studied at the Academy of Fine Arts Leipzig, Germany; School of the Art Institute of Chicago, US; and Werkplaats Typografie, Arnhem, the Netherlands. In 2019, her essay Fehler lesen. Korrektur als Textproduktion [“Reading Errata. Correction as Textual Production”] was published by Spector Books Leipzig. Her artist’s books are held in several public collections, including at the Metropolitan Museum of Art, New York, US; the Los Angeles Public Library, Los Angeles, US; the Newberry Library, Chicago, US; and at the Weserburg Centre for Artists’ Publications, Bremen, Germany. Tabea has done performative readings, often collaboratively, in various places, such as the GfzK – Galerie für zeitgenössische Kunst, Leipzig, and diffrakt – centre for theoretical periphery, Berlin, both in Germany.
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